Josseran Sarrazini is chosen to escort the Pope’s emissary on an embassy to the all-conquering Mongol horde in an effort to save all Christendom from destruction. But although he serves as a Templar warrior, Josseran is not all that he appears to be - and he despises the Pope’s man on sight. Now they have to spend nine months in each other’s company on the most dangerous and most inhospitable journey on the earth - across the legendary deserts of Persia, through the horrific black hurricanes of the Taklimakan, along the entire spider's web of the Silk Road to Khubilai Khan’s legendary capital at Xanadu. When he sets out, Josseran cannot know then that he will never see Christendom again. Meanwhile, somewhere near the Roof of the World, a Tatar princess possessing a gift for prophesy, defies her father’s attempts to marry her off to the sons of other tribal chiefs. She does not belong in her world any more than Josseran belongs in his. Now fate will bring their paths on a collision course somewhere on the Silk Road and change the course of her life, and Josseran's, forever. From the Storehouse of Winds to the Palace of Myriad Tranquillities, from the Pamirs and Hindu Kush to the legendary Xanadu and the dazzling court of Khubilai Khan, this is romance and adventure on a breath-taking scale.

    The works are separated into three sections, isolating the Celtic relationship with the natural world, chronicling Celtic heroes, and exploring the magic and shamanistic aspects of Celtic belief.

    The specialist will not miss the quiet sophistication with which the music has been selected and prepared. Some of it is printed here for the first time, and much of it has been edited anew." — NotesThis treasury of 47 vocal works — edited by Noah Greenberg, founder and former director of the New York Pro Musica Antiqua — will delight all lovers of medieval and Renaissance music. Containing a wealth of both religious and secular music from the 12th to the 17th centuries, the collection covers a broad range of moods, from the hearty "Blow Thy Horne Thou Jolly Hunter" by William Cornysh to the reflective and elegiac "Cease Mine Eyes" by Thomas Morley.Of the religious works, nine were written for church services, including "Sanctus" by Henry IV and "Angús Dei" from a beautiful four-part mass by Thomas Tallis. Other religious songs in the collection come from England's rich tradition of popular religious lyric poetry, and include William Byrd's "Susanna Farye," the anonymously written "Deo Gracias Anglia" (The Agincort Carol), and Thomas Ravenscroft's "O Lord, Turne Now Away Thy Face" and "Remember O Thou Man."Approximately half of the songs are secular, some from the popular tradition and others from the courtly poets and musicians surrounding such musically inclined monarchs as Henry VIII — who himself is represented in this collection with two charming songs, "With Owt Dyscorde" and "O My Hart." Among the notable composers of Tudor and Elizabethan England represented here are Orlando Gibbons, John Dowland, and Thomas Weelkes.